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Exuding both innocence and cunning, she’s dangerously radiant among her gray, hatchet-faced parents and the sodden and forbidding hinterland in which the family finds itself. Surely here was incontrovertible evidence of her having “made it”? In The Witch she plays Thomasin, the eldest child in a hard-bitten Puritan family scrabbling for sanity and survival in the wilds of 17th-century New England.
#QUEENS GAMBIT ACTRESS MOVIE#
You’d think Taylor-Joy might have felt some vindication by the time her first big movie premiered in 2016. And when you’re interacting with the outside world you’re not looking at yourself, you’re looking at the person in front of you.” “Not because I’m running away from myself,” she says, “but because the most beautiful thing about me is my desire to interact with the outside world. Make me look a bit more proportional.” Rough for any kid, but Taylor-Joy thinks she was particularly affected because of her upbringing: “My mother raised me to always be looking at things inside of people rather than their outside.” Taylor-Joy doesn’t stare into mirrors much. But back then, she recalls, “My head was smaller and my eyes were the same size. A few years later she’d be scouted on the street by Sarah Doukas of Storm Management, the same woman who discovered Kate Moss. “Oh, 11-year-old Anya was an awkward phase, for sure,” she sighs. For one thing, she was picked on for her looks. Eventually she relented (the Harry Potter books were instrumental in her learning), but she remained an unhappy child. There a homesick and Spanish-only-speaking Taylor-Joy refused to learn English for two years. Six years later, they relocated to London. The youngest of six kids, Taylor-Joy was born in Miami but her family moved to Buenos Aires when she was still a baby. You can be a great actor and not be a star, but Anya has both.”
#QUEENS GAMBIT ACTRESS SKIN#
They photograph well but they’re also able to somehow bare their soul-you can see through their skin and into their minds and hearts. “I think some people explode onto the screen.
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Whatever incarnation young Furiosa takes, it will be a treat to see Taylor-Joy-hitherto mostly bookish and elfin in her roles-in an action movie.Īsked if the actor’s now-global fame surprises him, Eggers tells me, “I’m surprised it took so long!” He laughs. And then there’s the pop-culture behemoth of Furiosa, a prequel to George Miller’s brilliantly bombastic Mad Max: Fury Road, in which Taylor-Joy will take the title role, a younger version of the character immortalized by Charlize Theron as a grim-jawed, buzz-cut feminist outlaw. (The sneak peek I’m granted includes a pretty mind-boggling dance sequence, as well as a genuinely bewitching performance of Petula Clark’s “Downtown.” The girl can sing!) Taylor-Joy will also team up again with Scott Frank, director and cocreator of The Queen’s Gambit, for an adaptation of Nabokov’s novel Laughter in the Dark. She will appear in Edgar Wright’s horror movie Last Night in Soho, in which she plays Sandy, an aspiring singer in ’60s London with an exaggerated hairdo and understated British accent. If her 2020 was one of vertiginous ascent, her 2021 will be stratospheric. Taylor-Joy’s grounding, nesting impulse make sense. “She is different and strange in ways that are fascinating,” says director David O.